Posted in Posts and podcasts

The Truth, the whole truth…..

“We need seven billion.”
“Crap! that’s a lot of moolah. F***ing hell we only have €14 billion. You’re asking me to play silly buggers with regulations.”
“We’re already in breach… 7 billion isn’t a lot if you say it fast. We’ll call it bridging.”
“When will you pay it back?”
“Never you clown. Look! This isn’t rocket science. We want money, you have it, hand it over.”
“Why?”
“Because…just because.”
“But..but,”
“Oh shut the f*** up you idiot.”
“I’ll have to borrow from overseas.”
“Ask me do I care.”

Jail Cell Andrew Bardwell
Jail Cell
Andrew Bardwell
Corruption is an abuse of a position of trust in order to gain an undue advantage.

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Corruption is also defined as ‘the misuse of entrusted
power for private gain’. It can take many forms in the public and private sectors.
Public corruption involves the misuse of public office for private gain, while private
corruption is between individuals in the private sector, for example, organised
criminals extorting money from a local business.

Fraud can be defined as intentional deception made for personal gain or to cause
damage or loss to another person. It can take many forms and can be perpetrated
against individuals, p
rivate and public organisations and at local, national and
international levels.
WHITE PAPER ON CRIME – Discussion Document No. 3 – October 2010 p.16
http://www.justice.ie

Federal Bureau of Prisons Wikimedia commons
Federal Bureau of Prisons
Wikimedia commons
… the harm caused by major instances
of fraud can have more substantial long-term impacts on individuals and economies
than the offences of many street criminals (Weisburd and Waring 2001). p.37

Page 38 –The Criminal Evidence Act 1992 provides for the admissibility into
evidence of documents/uplifted material in circumstances where this material is
accompanied by a certificate. A number of statutes address the admissibility of
documentary evidence in prosecutions under those particular statutes, e.g., Company
Law Enforcement Act 2001, Competition Act 2002, and Companies Act 1990. p.38

A small number of very serious offences carry higher penalties.
Examples include fraudulent trading (carrying on a company’s business
knowing that its increasing debts will never be paid) and market abuse
(such as insider dealing of company shares that are listed on a stock
exchange).

Page 4 – The High Court can make an individual personally liable for all of a
company’s debts in certain circumstances, including where they are
found:
• to have known that they were involved in carrying on company
business either recklessly or with an intention to defraud someone;
or
not to have kept proper books of account in a company, which in
turn contributed to the company’s inability to pay its debts.

Company creditors and liquidators can make these Court applications.
Page 5 -Where misconduct arises in companies that cannot pay their debts, the
High Court may take other exceptional measures, including the arrest
of company officers and the seizure of personal property if the officers
are evading responsibility for some of the debt. Liquidators and the
ODCE can ask the Court to act in this way.

Page 6 –If anyone is prejudiced (negatively affected) by the conduct of a company or one of its officers or has concerns that the conduct of the
company or one of its officers may not be lawful, they should:
• take independent professional advice to find out what legal
remedies they may have;
report any breach of company law to the ODCE; or
report a breach of any other law to the Garda Síochána or the
responsible regulatory body.
From – Penalties for breaches of Company Law – A Quick Guide
The Office of the Director of Corporate Enforcement

Click to access Penalties.pdf

Posted in Posts and podcasts

The Artist’s Eye

https://widgetworld3.wordpress.com/2013/06/28/the-artists-eye/
Art “…like morality, (it) consists of drawing the line somewhere”, G. K. Chesterton.

Reflections, refractions, repose – Student Lodging – the installation

Vincent van Gogh Self-portrait Detail from the Venus (Botticelli) Temple lion, Japanese porcelain Chokwesculpture Wikipedia.org
Vincent van Gogh Self-portrait
Detail from the Venus (Botticelli)
Temple lion, Japanese porcelain
Chokwesculpture
Wikipedia.org

Student lodging can seem like the ultimate unmade bed, and evoke strong responses by virtue of its laissez faire approach to everyday life. But that is its attraction – the power inherent in the image. It juxtaposes the desire to ignore with the horror of seeing – albeit accidentally. It is natural, organic. It is visceral. It is based on the immediate, the contradictory, a melding of the conscious with the unconscious, suggesting the possibilities and potentialities of its creator(s).

The result is an incredibly imaginative utilisation of everyday items. Items specifically chosen to highlight the charged environment in which they live and an expression of life lived on the fringe and on a budget. From your first step inside the hallway, to your circumnavigation of mop heads, bin lids and extraneous street signs in the back yard on departure, every cubic inch beckons, unfolds and informs. One visit is just not enough simply because highlights are hard to pick from such masterful crafting of chaos. Full immersion is vital to appreciate the whole experience and this can only be achieved through a series of visits. The viewer must commit themselves, totally and without reservation otherwise questions such as ‘Did I just see what I think I saw? Did that bag move? Is that even possible? Why?’ will forever remain unanswered. Like, dislike, accept, reject – it’s your choice – but you will question and analyse despite your best effort not to. Among the highlights……

‘Haven’t seen him for a week’ – Dirty sheets/beercans/ashtrays/dead insects/animal carcasses/marine life – anything goes and in some cases, nothing is spared.

‘Your turn’ – cigarette butts impaled on cocktail sticks, painted with tiny faces – adorning the tops of old milk cartons – life meets death – and smiles…

‘Good for the brain’ – Prawn shells spoon along sink/cooker and worktop – all paying homage to a large tuna head in a strategically placed basin (very short lived and quite smelly installation in the later stages – but worth the viewing)

‘RB & C’ – Empty toilet rolls neatly cut and covering every bannister of a stairwell. A felt tip pen provided for notes, dedications and reminesences from stairwell users.

‘Never again’ – Empty rolls 2 – tile/streak/stain and mould. All combine to express the visceral reality of an attempt to cleanse, to purify and restore the body corporeal – at the expense of all else..

Flesh fly, (Sarcophagidae), Austin's Ferry, Tasmania, Australia  JJ Harrison
Flesh fly, (Sarcophagidae), Austin’s Ferry, Tasmania, Australia
JJ Harrison

… and further down the hall – the void aka the hotpress – empty – untraversed and unexplored. This installation is supported by audio, soft scratchings, barely audible squeaks, a polarisation of neglect, destain and the transferral of responsibility denied by all. If you experience one of these installations, all else pales..Dead cows (standard in any butcher shop window until health regulations became more stringent), are passe. Dead butterflies, equally so (check your windowsill in Autumn for them, if you prefer bluebottles – check attic in winter). Dead sharks – absolutely banal in comparison to six fish fingers installed in the salad compartment of a fridge for nine weeks – menthol tissues recommended throughout viewing.

A large proportion of these installations inspire healthy competition among and between students. This occasionally results in refreshingly unique collaborations. At one of these installations I was particularly drawn to a faux Christmas tree decorated with toilet paper, bottle caps, a rolling pin and foil from takeaways, carefully manipulated and hung. To me they seemed a harmonious combination of belief, tradition and reality tinged with a pang of post Christmas regret. The party’s over – it left by the back door and got lost in the shed.

Mop Arnoldius Wikipedia.org
Mop
Arnoldius
Wikipedia.org

These works, though intriguing, rarely reach their full potential, purely through lack of funding. Grants are insufficient for students to do little more than exist. Others barely get by on part time employment. For the vast majority, parents are not an option – their minimalist lifestyle is unable to sustain – anything.

A large proportion of these students are absorbed into multinational companies on completion of their degrees – wouldn’t it be nice if these companies supported them more during their academic and artistic development?<
NOTE

Most installations are seasonal. Access is rarely problematic if based on some form of relationship with a student or students (ie parent, brother, sisters, girlfriend/boyfriend etc). A generous donation may allow the uninitiated entry. The optimum time to visit is eight weeks after college has started as by that time all household rosters have been forgotten and resolutions abandoned.

Enough said.

Detail from "A Thousand Li of River and Mountains" (千里江山) hand scroll in ink and color on silk. 11.91 meters x 55.8 cm. (3d part) Located in Palace Museum, Beijing. Date 1096 - 1119 Wang Ximeng (王希孟)
Detail from “A Thousand Li of River and Mountains” (千里江山) hand scroll in ink and color on silk. 11.91 meters x 55.8 cm. (3d part) Located in Palace Museum, Beijing.
Date 1096 – 1119
Wang Ximeng (王希孟)